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The César Manrique Foundation inaugurates an exhibition coinciding with the 50th anniversary of ‘Lanzarote. Unpublished architecture’, the Canarian publication that highlighted the cultural identity of the island
In 1964, César Manrique moved to New York, where he remained until 1966, working with the Catherine Viviano gallery and nourishing himself with everything that the city could give him. A key period for the artist, since it was there where he began to devise and draw…
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