2021 was a year of exciting victories and a substantial redemption for the image of Italy in the world, but our national newspapers have the infamous tendency to neglect and sometimes forget all those news that do not directly concern the usual sports and politics and perilously concern the cultural category – the real one – even if it is a question of highly coveted primates and goals of the utmost importance on a global level. Or rather, it is often from abroad and from international contexts that we take up some important news that make us proud and realize the multiplicity of our excellences, as in the case of the recent Nobel Prize in Physics awarded to Giorgio Parisi, the theoretical physicist of the University Sapienza di Roma, for its research on complex systems.
After the rise of Super Mario, the international success of the Måneskin at Eurovision, the victory of the Azzurri in the Europeans, the final of Berrettini at Wimbledon and the successes at the Tokyo Olympics, in the late night of Sunday 24 October, in Genoa, the Italy crowned its trail of successes and awards on the world scene, leaving (perhaps) its last mark in this victorious year. Thanks to an exceptional technique and a total mastery of the instrument – a Carlo Giuseppe Testori from 1710, received on loan from the “Pro Canale” Foundation in Milan – the twenty-year-old Giuseppe Gibboni from Salerno has (stra) won the 56th edition of the “Paganini Prize”, the highest international recognition for violinists, bringing the award back to Italy after 24 years. The next day, however, only a few local newspapers reported the news that a new star had been consecrated in the international violin world. A deafening press silence, which … Continue reading the article in the weekly The Post Internazionale-TPI: click here.
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