“There is room in the background” returned with a ninth season full of surprises, new plots and colorful characters. Despite this, the opinion of international critics is not on his side and fans have wondered if it is only suitable for Peruvians.
Thus, a debate has been generated on the subject, but a new one, for the moment, began to shake social networks: Is “Pataclaun” superior to the Efraín Aguilar series? Foreign specialists believe so and here we share all the details.
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As we corroborate, “There is room in the background” got a 5.3 out of 10 on IMDb and a 3 out of 10 on Filmaffinity. Very low scores if we take into account that it is the most successful series on Peruvian television and compared to those obtained by “Pataclaún”.
In the aforementioned specialized media, the clowns program obtained 8.5 and 7.4, respectively. The difference is abysmal, if we make it clear which is superior, according to international criticism.
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Why is “Pataclaun” unique?
Unlike “Al fondo hay lugar”, “Pataclaún” did not lengthen its story, but knew how to finish it when it was still at its best. The magic, courtesy of the ghosts, gave the plot more possibilities, the parody was never normalized, the characters shone by themselves and the colorful staging made it stand out from the rest.
How did the other Peruvian series go?
But “There is room in the background” and “Pataclaún” are not the only ones that can be seen on the specialized portal. “1,000 trades”, a series produced by Panamericana TV and starring Adolfo Chuiman, has also achieved an important score.
The series takes place in the fictional neighborhood of San Efraín, in the district of Magdalena del Mar. Renato Reyes (Adolfo Chuiman), is a widower and manager of a company who is fired from one day to the next. Since he has to support his two children and his elderly father, he starts to work piecework without his family knowing about him.
- “Back to the neighborhood”
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