Following the definition of Dadaism in the Oxford dictionary, “art movement that emphasizes the illogical and absurd”, journalist Alejandro Macias He was very right when he sentenced “place is Dadaism and you don’t know it” after a night in which the jewel of the prime time of Galician Television left us moments as unspeakable as Samantha Fox sputtering Na beira do mar with an expression of not knowing whether to press the panic button or press a drink.
If Dadaism was born in the Zurich Cabaret Voltaire, place —for those outside the phenomenon, it is as if Young people, Night out and the most scattered verbena would have fallen into a pot of brown liquor—it began in the Dona Dana nightclub in Coruña almost 30 years ago. An unprecedented longevity for a musical program in Spain.
Always with the inexhaustible Xosé Ramón Gayoso at the helm, lawyer, singer and hammer throw champion, a curriculum as eclectic as his program, place has garnered huge audiences thanks to a combination of stars, local talent and, something essential in a regional film, the closeness to an audience for whom their set is just another room in the home. But let no one think that it captivates only the aging rural population, target main of the regional When in summer he chose the most beautiful of Galician cows between performances of La Terremoto de Alcorcón and King Africa —that has happened—, he copied the trends on Twitter. Also with the welcome to his dearest Tanxugueiras after the benidormgate. And how there are no borders nor grudges, a few days ago he premiered the version of the Chanel theme by the Galician Ledicia Costas in which the Bugatti becomes “a two-priced tractor” and “never secondary”, “teño moita terra na Habana”. At the Cabaret Voltaire they would applaud fervently.
You can follow EL PAÍS TELEVISION on Twitter or sign up here to receive our weekly newsletter.
Exclusive content for subscribers
read without limits
#Luar #coffee #liqueur #Cabaret #Voltaire