Goya Awards
There is no parity in the outfit, the boys are more comfortable. Heels kill them and they need a valet to go to the bathroom
Stepping on a red carpet with a model should be a right included in the Constitution. Every Spaniard should be able to exercise it, at least once in their lives, even if our heels were killing us and we needed a valet to go to the bathroom. They have it easier. As usual.
Fortunately, and although there is no parity in this outfit, there is in the nominations: between Best Director and Best New Director, there are five women and five men. Hey. It is a new generation of directors, and this change in the industry is not only noticeable in the style of making movies, but also in the way of dressing. That’s why,
Pilar Palomero and Aluada Ruiz de Azúa they go with the accessible sophistication of Teresa Helbig, and the younger actresses set the trend by risking: Luna Pamiés, hypnotic from Maison Alaia,
Anna Castillowith a Gucci jumpsuit with straps covering what it has to cover, and
angela cervantes, dressed as an Amazon thanks to JC Pajares. Gone are the vaporous romanticism, the ‘femme fatale’ vibe of the 50s, and the nineties are back, the cut out, straight lines, minimalism. Everything is so minimal that even a swimsuit can serve as a dress:
Leticia Dolera she is wearing one of Victoria Cimadevilla. And she looks fabulous.
The colors are pure and flat: black wins by an overwhelming majority (
Belen Cuesta by Pedro del Hierro, Zoe Stein by Givenchy,
Maria Leon by Juan Vidal,
clear lake de Dior), but white also abounds in all its interpretations, from lingerie to bridal. And the acid colors:
Ingrid Garcia-Jonssonwho has dyed her hair jet black and cut into asymmetrical bangs, wore a neon green fringe crop top and straight skirt from Sportmax.
Milena Smith He is one of the few who wears pants, and he pays homage to the 70s: he is wearing a velvet tuxedo, a shirt with frills, and flared pants. She perfectly could have worn it in her time
Fernando Estesowho, oh surprise!, has just stepped on the carpet.
On the other hand, and subscribed to the most classic luxury, the usual greats who bet on winning, without leaving their style:
Belen Rueda She is wearing a dress at Valenzuela Atelier in white and gold, with a spectacular train;
Amaia Salamancaan embroidered midnight blue by Zuhair Murad, and
Juana Acosta a romantic powdery pink.
As the stars go by, the voice of
White Dove It serves as an arrow for this procession. The ‘eaea’ slips through the microphones of colleagues specialized in cinema, while fashion journalists photograph people I don’t even know. “Who is that?” I ask. “An influencer”. Justly. I only catch
Sweetiewhich goes as a little red riding hood with a mermaid-cut sequin dress and cape signed by Ze García, her usual for these events.
Boys are definitely more comfortable. And betting on insurance: most of them in a tuxedo, except for some like ‘he was passing by’, like
Isaki Lacuesta. But it is appreciated that they take risks from time to time:
edward casanovawith an extraordinary two-piece by Arturo Obegero and some diamonds around the neck to take away the hiccups, or
Alfonso Albacetewith skirt, or
Albert Bosch (‘Alcarrás’) in a black double-breasted suit with an insect print.
Rodrigo Sorogoyen he puts a note of color, but only in his hands, by painting it with the tones of the trans flag.
And already, in the end, the best. A
Juliette Binoche wonderful, paying homage to Paco Rabanne. But the one who is anxiously awaited is
Penelope Cruz. His sister and her friend, understand
Monica Cruz and Goya ToledoThey have already passed and posed. She arrives, and a stir ensues. With a black vintage Dolce & Gabanna, she arouses such expectation that, if it weren’t for the fact that Saura’s death is saddening the red carpet a bit tonight, the journalists would yell at her: And pretty, and pretty, and pretty! And queen, and queen, and queen!, as if she were the Virgin of Sorrows.
In the meantime, in the end, the politicians appear:
Yolanda Díaz, Irene Montero, Feijóo and Pedro Sánchez. But we don’t care: our world ends after Penelope.
#Generational #change #blue #carpet #Goya