'Dad in trouble', produced by Latina Televisión, is a soap opera that has stood out thanks to the outstanding performances of many artists, such as Bruno Espejo, who has demonstrated his ability alongside a top-notch cast. Among them, names such as Dennise Dibós, Bruno Odar and Nico Ponce stand out, all of whom are recognized for their vast theatrical career. In that sense, the combination of talent and experience of this cast has been fundamental to the success of the project.
Over the years, Mirror He has demonstrated his acting versatility by playing antagonistic characters. In that vein, she has shown a depth and authenticity that captivates the audience. With an almost childlike nobility and innocence, she has conquered not only the hearts of viewers, but has also left a lasting mark on the world of entertainment. To discover more details about this actor's career, don't miss the following article from La República.
—What motivated you to become an actor?
—The truth is that I did not start my career wanting to be an actor, I was at Catholic University, I was in Literature about to enter Sociology and I met Sergio Maggiolo, who is a Peruvian actor who lives today in London. He invited me to be part of a cast, which was called 'Lord of the Flies', which is an old William Golding novel and they were doing the independent theater season at the Juliet Theatre. (…). The only approach to the arts was at school, it was having a punk band. I watched a lot of movies and theater, but because of my parents, who were very sensitive people, they always encouraged me to watch movies, I even remember that as a child with my mom and my sister we watched Disney movies and we recreated the movies until my dad came home from work.
—How do you feel after having participated in such a renowned program, like 'Dad in Trouble'?
—(…) I have felt very happy and my colleagues have been wonderful, there are top-level actors, there are Paulina Bazán, Joaquín Escobar, Mónica Rossi, Jano Baca, Juan Carlos Rey Castro, Luciana Blomberg. Actors trained in theater with a lot of experience have put it into the series, and the result is very nice. I see the networks—for example, those of Latina—, I don't have TikTok, but they add me to the videos from Instagram; I see and I hesitate because it has like, I'm not lying to you, 5,000 likes. It is a 'boom' because it has managed to reach the target audience. He plays music from dramas and memes that they like, so I think there is a joint effort that is achieved with the freedom that management can give you and the actor appreciates it. I, grateful, had a very good time.
—Was there any particularly challenging moment during your time on the program? How did you get over it?
—I did 'Little Women', but 'My love, the wachimán' was the first time I worked with Michelle (Alexander) and I got the character of a chess player boy who was a nerd, but he was not so noble, it is having much more lost his armor. (…) Unlike Nico Ponce, who was like his 'antithesis', since he is a 'gyler', and the other was a boy who fell in love with the first thing he saw, in addition to not having the emotional tools or intellectuals to address these problems, since their logic was chess. However, in Paul there is a nobility, he is much more pure, humble and noble. He is not afraid to show what he feels and that is very nice, and sometimes that happens to me too, we are very afraid to say many things and what we feel to people. For example, right now in another type of environment I would have stage fright, but I met you, you have given me a lot of openness.
—About 'Dad in Trouble', how would you describe the atmosphere between the cast and crew behind the scenes?
—Usually in television, theater, there are also like 'little things' among the actors, they are very special, because as it is a very vulnerable space and they put their emotions, body, and they can come from a horrible day from home with a thousand problems and They have to be the happiest in the world, that is complicated, having a camera in front of them; but this is a very friendly cast, I have not seen any problems, any inconvenience between us. Rather, I think there has been a 'wave' of moving the project forward, of supporting us a lot because there have been quite a few young people who are just starting out and others who are more veteran like Mónica Rossi, Bruno Odar, Ximena Díaz. The same Juan Carlos Rey Castro, who is relatively young, but played the father, Denisse Dibós. And you had the coolest ones—Paulina, Jano, Matilde León—who are just making their first fictions, but the atmosphere has been so inclined to the production because it was a new thing, we had to carry out our work and I think there has been a lot of happiness.
—Do you have any behind-the-scenes moments that you would like to share with your followers?
—What happens is that I came to the series when things were 'started' in chapter 40, around there, and the boys, especially those who played sailors: Jano, Joaquín and José Miguel, they had an induction in the Navy militia, how to put your hand here, your hand on the hat, how you hold it, a lot of details that the characters, Navy students, have to have; and when I arrived it was like 'we're going to record'. However, Joaquín Escobar always came up to me to say: “Hey, Bruno, do you hold on like this or put your hand here,” and I really appreciate it a lot because, if it hadn't been for him, I would have been upset. ' resoundingly with the novel, since I have never played this type of very specific characters and Joaquín was always behind me telling me what to do, obviously with a lot of kindness and a lot of camaraderie, and I thank him a lot. He is an actor with a lot of detail.
Pablo or Jonathan? Photo: Latina
—Many know you as Pablo from 'Dad in Trouble', but they don't know that you were part of 'Confessions, stories of life itself'. How did you participate?
—The culprit is called Paola León Prado, who is a very capable casting director and we have even gotten to a workshop with Roberto Ángeles because she is an actress too, but she dedicated herself to casting and at the touch she pulled me out and told me: ” “You have to come here.” (…) He asked me for a very small casting, I did the casting, I was cast for the role and from there: “Hey, I have another character, we want you to do it”, then I went to record and they were one-day shoots.
—Recently, you have posted in your story about a cultural event that will take place this April 5, #DictatorshipNeverMore. Regarding this, what specific challenges have you faced as an artist in Peru?
—(…) That narcissism of the artist is killing us. We are more focused on entertaining 24/7, on telling my followers how my day was and how happy I am, when life is not absolute happiness, life is not only laughter and smiles, that is a falsehood. Life is also problems, there is pain, there is sadness and whoever has influence, who has an audience that follows them, has to embrace those sadnesses too because the public also feels it. If you sell to the public that everything is happiness, you are defending a lie. I
t is not reality if you only suggest selling products and slogans, it is false.
—Likewise, you are part of a new project called 'Work In Progress (WIP): the day', what is it about?
—I am in several projects right now, I am co-directing my first film with the help of EPIC Films, which is the producer of the EPIC film school. I am co-directing it with Brian Jacobs, who is a fascinating director, I think he is one of the best young directors we have. It's a film that I wrote, called 'The Day'. It is the story of a migrant who works in a textile factory and is stalked a bit by his boss, until he is invited on these ramblings that he has in the center of Lima, a place where he says that he does want to change his life. of the. (…) Also, I am going to premiere right now (April 5) two productions, one at Casa Yuyachkani, winner of a stimulus for culture from the Ministry of Culture and a stimulus from the Catholic University, it is called 'Moving from Yes-Chick with potatoes', written by Tirso Causillas and directed by Nani Pease.
—Won't you continue on screens?
—Not on television for now, I have a pending lunch with someone who offered me something, but I don't have anything finalized; Who knows, I would like to, I am always willing to be there.
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