In several scenes of the series about the British royal family ‘The Crown’, it is evident how from his childhood the eldest son of the Queen Elizabeth II and the prince Philip of Edinburgh He observed the world with an introspective gaze, with a special sensitivity towards the arts and nature. Although this representation is fiction, it is based on an essential truth about the now. King Charles III: His ability, described by those who know him, to find serenity and beauty in the details that others overlook. Over the years, this sensitivity evolved into a great passion for painting, especially watercolors, which he himself has described as a way of “transporting yourself to another world” and finding “parts of the soul that other aspects of life cannot.” reach”.
The monarch began painting inspired by the landscapes of Scotland, royal residences such as Highgrove and memories of his grandmother, the Queen motherwho had a great influence on his love of art and nature. Since then, he has created an extensive corpus of works that portray natural and architectural landscapes infused with soft colors that critics have not particularly praised but have not completely dismissed either. Although his technical skill as an amateur and his artistic sensitivity are recognized, many agree that his work does not provide an innovative perspective, but they highlight its authenticity and the emotional connection it transmits. Ten of these works are currently on display at the Garrison Chapela historic chapel located in the district of Belgraviain London, built in 1838 and initially served as a place of worship for the soldiers of the Chelsea military garrison.
The watercolors of Charles III, King of the United Kingdom and painter
Speaking to ABC on site for the exhibition, Constantine Innemée, director of Highgrove for The King’s Foundation, a charity that coordinates and supports a series of philanthropic initiatives established by the King, highlighted that “his love of painting is something of a lifetime and is incredibly talented as an artist. “If you look at some of the watercolors on display, you’ll notice decades and decades of work.” For Innemée, who is in charge of the foundation’s area related to Highgrove, the residence and estate owned by Charles III known for the impressive gardens, which were designed and developed under his personal supervision, “His Majesty is a very enthusiastic artist and a very accomplished watercolorist, but also someone who loves nature. I think if there is something that really stands out when looking at watercolors, it is precisely this.
And the King’s Foundation has found in its artistic work a unique way to promote its values. The lithographs of his watercolors, signed and produced in limited editions, have become coveted pieces for their connection with the Royal Family, and also for the commitment they reflect to sustainability and art. “We are very privileged as an organization to be the only ones authorized to sell these lithographs, since they help raise a lot of funds for charity,” explained Innemée, who clarified that the originals, some of which have been shown to the public on other occasions, They are not for sale, but events like this “are a wonderful opportunity” for people to “enjoy a unique collection.”
In the same chapel and accompanying the exhibition, various goods and products made at Highgrove are for sale, which not only serves as a private residence, but also as a center that supports charitable causes, with profits obtained from “products such as honey from its beehives or apple juice from their orchard, which are sold to finance community and educational programs,” said the director.
Lithographs, for their part, have a special meaning. «As they are all signed by Her Majesty and are a limited edition, they are expensive, starting at 3,000 pounds (about 3,500 euros). But they represent a tangible way of bringing home not just a work of art, but a part of your vision and commitment to nature,” added Innemée, adding that the works on display include scenes from iconic properties such as Highgrove and Mey Castle. , a historic residence located in the region of Caithness, in the far north of Scotland, which was acquired by the Queen Mother after the death of her husband, King George VI, in 1952. Each painting is made into a print run of a maximum of one hundred identical lithographs. According to Innemée, it is also important to highlight the fact that “for the King to find time, despite being a very busy person, to sit, look at nature in his own way and capture that moment in time, is really special and meaningful.” .
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