Niño from Elche: «At the beginning of the 20th century there was already this paranoia that flamenco was going to be lost, but at least there was no psychosis due to the canons»

Niño de Elche’s work moves so gracefully in tension that it generates unusual paradoxes. His new album, one of the most ‘flamenco’ within the heteroclite amalgam of his discography, may also be the most pop of all. EITHER …

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