While Fedez dives headlong into a new chapter of his life, Chiara Ferragni finds herself dealing with memories.
There are objects that symbolize a story, a powerful memory, a specific moment in our lives that we struggle to forget and leave behind forever. In the case of Chiara Ferragni, now separated from her ex-partner Fedez for some time, there is a particular object that she doesn't want to let go of. As if wanting to cling to a past, actually recent, which she hasn't really come to terms with. At least for now.
There love story between Chiara Ferragni and Fedez, as we know well, came to an end months ago, leaving both of them to start their lives again on their own. Between suitcases full of memories to divide and shared objects to manage, the situation becomes complicated when it comes to very personalized homes and furnishings. During furnishing and after leaving a house you face problems, very different, but still problems.
Fedez, determined to turn the page, started a radical movement route change. He has in fact purchased a new house which he is furnishing and decorating with personal taste. “It will be ready in a month,” he announced in his Instagram stories, appearing determined to start from scratch.
Chiara Ferragni, on the other hand, seems to face the separation with greater difficulty. In her Instagram stories, between games and laughter with her children, she can't help but frame an object which represents a painful memory: a painting by Marco Lodola which portrays his “perfect family”, now broken.
The work, worth approximately 6,000 euros, depicts the stylized profiles of Chiara, Fedez, Leone and Vittoria, immortalized in a moment of happiness and carefreeness. A memory that Ferragni seems unable to let go of, a symbol of a love that, despite the end, has certainly left an indelible mark.
While Fedez dives headlong into a new chapter of his life, Chiara finds herself dealing with memories, trying to find the strength to move forward. Lodola's painting, emblem of an ideal and happy moment, thus becomes a constant fragment of the life that once was and which now, with suffering, we must accept that it no longer is.
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