The Netflix premieres for November have been loaded with stories that fans have liked, such as the third season of Narcos or the Christmas movie How Hard is Love. However, streaming could not ignore true-crime and has presented its most recent original content bet: Yara. However, its concise title hides a lengthy police investigation that shocked the whole of Italy in real life.
“Award-winning filmmaker Marco Tullio Giordana (The Best Youth) directs this dark drama based on a true story. The murder of Yara Gambirasio (Chiara Bono), 13, shocks the small town of Brembate di Sopra (Italy). To bring the culprit to justice, the prosecutor Letizia Ruggeri (Isabella Ragonese) it only has a faint clue: a bit of DNA that is not much use without a database to compare it to ”, recites the official synopsis.
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According to what was explained by Infobae, the shocking events of this strange case began more than 10 years ago, when Yara was a young promise of rhythmic gymnastics. She was excited because she would participate in a competition with her friends. However, after attending one of her classes at the Brembo Sports Center, the little girl disappeared, leaving no trace.
The subsequent search failed to reveal much of his whereabouts until, a few weeks later, his inert body was found in a clearing in Chignolo d’Isola, located about 10 kilometers from his hometown, Brembate di Sopra. However, despite the brutal signs of aggression found, the cause of death was hypothermia.
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In this sense, the Netflix production seeks to recapitulate this cruel event that shook Italy, by entering the police investigation that was carried out to find the culprit, who would only be reached with a DNA sample. In this way, the film seeks to portray a neuralgic issue in society: femicide.
Likewise, it offers the viewer an approach to how these types of cases develop and how they should deal with those stigmas that have spread in the population against the victims, without first taking into account what is the true story behind an unfortunate outcome. .
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