It is not the same to be a statue than the statue. This dilemma is another version of being or not, of Hamletian doubt, of the meaning of life that the analysts of behavior and not a few papate would say.
That football is a transversal issue, without borders, it was revealed once again last Wednesday. The intense controversy of the Metropolitan for the most famous penalty in history was lived with passion in the Big Apple.
The Dizzy’s Club, the Upper West Side Sala de Manhattan linked to the Lincoln Center complex, is one of those unique enclosures of the city, where live music is celebrated from Columbus Circle with panoramic views.
You are there listening to a tune and the imagination escapes through those illuminated skyscrapers observed on the horizon by the glass septum.
On the penalty day, at the New York Flamenco Festival, Carlos de Jacoba played the guitar and sang on that stage, accompanied by the Jazz pianist Zaccai Curtis and Juan Carmona, of the Flemish dynasty of the Carmona, to percussion. When his friend Carlos introduced him, he said that Juan had depressed himself with the defeat of Atlético. “It has already happened to my music,” he replied.
Read too
But it wasn’t entirely true. At the end of the performance, Carmona showed the video of Julián Álvarez’s launch in slow motion that a friend had sent him. “Do not touch it twice, the ball does not move!” He exclaimed outraged, between disqualifications to the white weeping.
Before the scandal – everything that surrounds the Real is epic – UEFA acknowledged that the standard should be modified because (yes) there was, it was a minimum contact.
The Polish arbitrator Szymon Marciniak, who apparently has not learned that his compatriots play in Barça, did not want to do the statue and, thanks to his sight of Lince, he swore that it was he who was noticed, without “help” of the players of Madrid, and that is why he warned the VAR. He made merits for him to erect a sculpture in the Bernabéu, although, before so many meritors, he has numbers to be a bust cornered.
Who if he began his campaign to be a statue is Gerard Piqué, Freudian case because as a footballer he made the statue more than once, according to critics. The former Blaugrana player went to Madrid to declare as investigated for corruption (what idea to transfer the Super Cup to Saudi Arabia for a few dollars) and ended up claiming that “in another country in the world they would put a statue.” As Gustave Flaubert wrote, “success is a consequence and should not be an end.”
#penalty #statue #Piqué #Francesc #Peirón
