‘The Majordoma’: an learning of evil

A woman returns to family home. Twenty -seven years ago he left the husband and a four -year -old son. The woman wants to adjust accounts with her spouse; tells him what he has done in this long period that is nothing other than a … Learning of Evil. Why are there men who feel pleasure in doing evil? He exclaims as a rhetorical question. In these years, in addition to that husband who prostituted her for her real estate businesses, she has met types of those who make evil their ‘modus operandi’. If the husband tells her that he sees her the same, she replicates proud than not, that she is better.

‘The Majordoma‘is the second piece of the’Epiphany triptych‘From Josep Maria Miró that opened’The most beautiful body in the world‘, A text applauded by criticism and public that interpreted a masterful Pere Arquillué. If in Miró’s first installment, Arquillué gave voice to seven characters who, in the style of ‘rashomon’, gave his version of the death of a teenager in the hypocritical and vitiated microcosm of a town, ROSA RENOM He reviews the toxic conjugal relationship that prevails to this ‘butler’ –gobernanta of a rural cure – to take the reins of his life: he will exercise the power and ambition that reproaches her husband. A monologue in which he is experienced and always solvent actress recounts his relations with those men who feel pleasure in doing evil: emulates them and ends them overcoming.

With the direction of the author himself, the ambiguous personality of this woman hardened by life outdoors is emerging in a naked and mist. Right Àlex Rigolafactotum of the Heatbreak Hotel Theater, when comparing the dramaturgies of Miró with the raw stories of Michael Haneke. The type of person to which Renom gives life would fit into the repertoire of Isabelle Huppert: Women who relate with the coldness of a knife edge their conception of survival: for good or bad (rather the second). Do not lose sight of the Locuaza Steish. Attentive to the third installment of the Mironian triptych.

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