The lights are lit, the first chord sounds and the dance party emerges to lift every person who was sitting in the stands. Tate McRAE is a whirlwind of energy and precision, a 21 -year -old girl whose scenic versatility hypnotizes in each of her concerts. His appointment at the Vistalegre Palace in Madrid did not aim to be less. The Canadian artist, who was received by a completely delivered audience, appeared on the stage absorbed by a confidence and security that is only typical of the big stars, surrounded by a choreography studied to the millimeter. Perhaps for this, and only for this, many could not help looking at the stage and see there, just in front of them, the self -confidence and dominance of Britney Spears. That unmistakable sign that the pop party has only begun.
In the absence of an exact week that 25 years of the iconic Oops! … I Did It Again (2000), the beginnings of Britney Spears become more significant than ever in a music industry that supports everything to live music. The presence and charism of Spears in its beginnings not only redefined the concept of adolescent diva, also laid the foundations of a concert model that today is still fundamental: the pop conceived exclusively for the mere show. Dancers who move in perfect synchrony, microphone movements that seem to possess the control of the entire planet, special effects of smoke, lights and lasers. If in this lies the key that catapulted Britney Spears to become one of the most relevant youth voices of the first years of this century, Tate McRAE seems to have taken a good note of it.
Trying to challenge gravity and believing the most important artist upload to a stage, Tate McRAE indicated from his facial expressions his desire to give war. He did it with a tremendously explosive start, opening the concert with Miss Possessivethe opening track of your album So Close To What (2025). The project, which involves its third study album – predecessor of its presentation letter I USED TO THINK I COULD FLY (2022) and its continuation Think Later (2023) -, condenses his main idea in his initial theme: McRAE is the “possessive lady” and ensures that there will be fights that “you will never win.” The declaration of intent is such that the tour, Miss Possessive Tourtake your title of this song instead of the name of the album. The singer stops, makes slow movements and interprets her with total seriousness.
The celebration presided by Tate McRAE in the Spanish capital continues in style with the single 2 Handstheme whose performance accompanies a cane with the one to play the sound. “You don’t have to tell me that you love me seventeen times a day,” McRAe sings, “I need a little less talk and much more tact, I just want your two hands on me.” Equally effusive is shown when interpreting Guilty Conscienceof his second work, a song in which he tells his reckless adventure with a boy who acts as an accomplice and commits crimes: “I suppose I will live with the guilt in my conscience.” The artist, who does not stop moving around the minimalist stage, is constantly guided by pre -registered choirs to emphasize, almost shamelessly, the interest to her figure about her own voice. People, feeling in the middle of the dance floor, tolerate it with grace.
The concert, divided into five acts, presents its most sensual phase in the second one, in which the Canadian makes use of several chairs to sing the quiet PURPLE LACE BRA. Madrid, which demonstrates the success of his latest album with a deafening screaming during each song belonging to it, gives magic to the beginning of the theme shouting his verses. “Would you hear me more if you whisper in your ear?” Aludes insightful mcrae. The show continues with Uh ohnot because it is a medium tempo is less entertaining: the artist dares with the dance dance from a red aesthetic in which the lighting transforms the scene into something practically intimate. She, however, remains equally concentrated, with self -determination of who knows that it is the best in her own.
The fervor causes the young woman to avoid smiling at the public on some occasions, being a patent that reaffirms during the hour and a half of the concert: when she forgets her study, McRAe reaches a much more sincere light. “What does that mean?” Ask when the entire enclosure shouts “queen” and “pretty” in unison. Hence the third act, that the singer performs from a second stage hidden at a few meters from the principal, is undoubtedly the most beautiful moment of the night. The artist transmits a lot in interpreting the slower, simplest and, why not say, sad about her more and more complete discography. It transmits so much that, if the concert had only been acoustic and left the choreographies for another day, most likely the public would have been lower, but the time it would have been the time in which the magic would have reigned.
It is so obvious that the majority part of Tate McRAe fans follow her for her dances as her ballads reach a level of sincerity that defends perfectly. Its essence lies in songs like Greenlightin which he reflects on the struggle not to close wounds of the past, or Nostalgiain which he reconciles over time just after projecting images of his childhood on the main screen. The beautiful You Broke Me Firsta hit that catapulted her to fame in 2020, puts the cake of the cake to an act that drinks a lot of the influence of Taylor Swift, whose composition had already praised the artist numerous times. He Medley piano, composed of that way, Chaotic and One Daypraises the best part of the show.
As if it became much freer after having relieved with its acoustic clues, the party returns to the Vistalegre Palace in Madrid for the last 30 minutes of concert. The fun Exesthat everyone present shouts at every lung, leads it to sing from the top of a platform that goes up and down. For she’s all i wanna beoffers the microphone to the audience while walking the stage so that they are the fact that the chorus, while during the interpretation of RESOLVING DOOR Individual choreography is marked and then danced with It’s ok i’m ok. Chaos had just unleashed with the hits that had reserved for closing: Sports Caraction in which the chairs resort to; Greedyhis success of 2023, and I know lovewith which he does not sing but uses to say goodbye.
Tate McRAe is like Christina Aguilera, Nelly Furtado, Avril Lavigne, Pussycat Dolls and, of course, as Britney Spears. Tate Mcrae looks so much like all of them that, in the end, Tate Mcrae does not end up being any. Upon to very high galaxies from the hand of her most personal and intimate songs, and unleashing the revelry through a deeply polished and refined production, the Canadian artist offers a unique look that causes comparisons with her classmates not to be anything other than a tribute to all those who have raided the way. In fact, it is so inevitable that her artistic evolution causes them to continue comparing her to as many women who, in reality, her concert in Spain serves to show that she is triumphing for being herself.
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