The life of Piqué and Shakira captures world attention. The artist’s themes are successful dynamite. Piqué’s businesses move in her business and soccer niche. But both are today the most impressive figures on the public stage of celebrities, in the media and on social networks.
What has happened with the ex-partner has been a show-level bombshell around the world.
Everything has been said, everything has been speculated about the break. But a new hypothesis seems beyond all reality: the theory of multiverse proposed by a Spanish columnist.
‘a montage’
His name is Juan Aparicio Belmonteis a writer, and wrote a column for ’20 minutos’ in which he imagines that this world-famous separation is nothing more than a fantasy, a montage.
“Let’s say that Piqué had not been unfaithful to the Colombian singer, but quite the opposite, that both continue to form the best-matched marriage that anyone has ever known, the happiest and talkative, the most cheerful, intelligent and playful. I’m talking, yes, that the marriage has made a wonderful and enormous montage”, begins his text.
Together, according to their fiction, “make a plan to escape the vitality. They will pretend they are divorcing to get sponsorships from car and watch brands in the process, they will involve youtubers and television presenters and they will agitate the social networks and the pink, green, red, yellow and blue press, squeezing all their money in the process. personal and professional potential: songs, football, public image…”.
And he goes on to imagine how the couple would come up with the whole fantasy to make it seem real, involving family, friends, and acquaintances.
One morning, the writer relates, Shakira reveals an old song that makes a third person enter the scene, Clara Chia.
“Shakira keeps a rare song in a drawer, which she doesn’t know how to classify in her repertoire, which she has never made public for precisely that reason. The song has an enigmatic verse even for its creator (perhaps she composed it on a crazy night): “It has The name of a good person is clearly not what it sounds like”. The adverb “clearly”, so bland a priori, suddenly turns out to be a happy discovery and places the couple on the next step of the plan,” he says.
The fantasy continues, and is described as “the best production in history, superior to The War of the Worlds of Orson Welles”.
He recounts that the plan continues with a ‘casting’ to choose the correct Clara, that they prepare her and put her according to the objective of the show.
“First you have to feed the press with rumors about marital disagreements; then announce the breakup of the couple and feign Shakira’s anger; then publish a first song alluding to the conflict: “I congratulate you.” Then a second, something worse: ” Monotony”. And finally the third, great, explicit despite its peculiar title, Music Sessions #53, in which the public will connect the dots and in which even the mother-in-law (who has a lot of fun with the lyrics) is involved”.
And so, the writer describes us and includes himself as a “public naive”, for believing a fabricated story. “The networks burn. The controversy rages. But gentlemen and feminists, feminists and gentlemen, unknowingly share that they are victims of the same deception, of a colossal, wonderful media manipulation,” he says.
And to top it all off, it closes with the subtlety of a novel, of fiction with hints of the multiverse, so common today in art and cinematographic culture.
“The most loving and well-matched marriage business in the world is still going strong. And the universe has stopped oppressing them, at least for a while.”
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