‘Salve María’ surprised at some fierce awards that tried to content almost all nominees. The Ribbon directed by Mar Coll won the award for best film in the drama category. A ‘outsider’ in this awards season, since in the Forqué it was ignored and in the Goya barely adds two nominations, better adapted script and best revelation actress for Laura Weissmahr. A psychological thriller around the motherhood of those who leave a bad body and that make more than one ‘apriorism’ question in this of cinema.
Beyond ‘Salve María’, the rest of the categories were distributed so that almost everyone was Happy at the Film Party who moved to Pontevedra, who welcomed the celebration of the fierce. Pedro Almodóvar, who traveled on the same Saturday, was given the fierce to best director for ‘The next room’, in addition to being one of the names most mentioned in the gags and the speeches of those who paraded on the stage. To ‘House in Flames’, one of the titles with the most nominations in the Goya, they gave the fierce for better comedy and better script.
In the interpretive categories, he won Emma Vilarasau By ‘house in Flames’ and Clear safe for his role in ’47’ (only prize for the winner of Forqué). In the Eduard Fernández male categories he took the stage for his work in ‘Frame’ and Oscar de la Fuente by ‘The house’. Alberto Churchesa classic in this of the film awards in Spain, he won one more in his hyperpoblada shelf, again for a job composing the music for the Pedro Almodóvar movie.
‘La Infiltrada’, by Arantxa Echevarría; ‘Escape’, by Rodrigo Cortés; ‘Virgen Roja’, by Paula Ortiz, ‘La Estrella Azul’, by Javier Macipe and ‘Los Distinings’, by Pilar Palomero, were of the few that They did not receive an award That, if they had taken it, no one could have protested. It is clear that the voters of the fierce seek to get out of the expected, except with Pedro Almodóvar, who always convinces the voters.
As for the series, ‘Want’ The main award of the drama category was taken, as well as the best script and best actress for Nagore Aranburu. ‘Celeste’ triumphed in comedy (Diego San José is another of the safe bets in the fierce). Oriol Pla and Nora Navas filled ‘I, addicted’ and Pol López a ‘see you in another life’. For Sorogoyen (who could not attend because he is already rolling) and the entire team of ‘The New Years’ The night the night melted in Black at the rhythm of Nacho Vegas.
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