The internationally successful detective series gets a stumbling climax in cinemas. The murder mystery will be seen elsewhere in the world on Netflix.
Tension
Sorjonen – murder murders, director Juuso Syrjä, starring Ville Virtanen, Anu Sinisalo, Sampo Sarkola, Olivia Ainali, K16, 107 min. ★★
It should be completely it is appropriate to make a film about the negative feelings of children’s paintings painted on the walls of apartment buildings, but the name of the film Sorjonen does not suggest disgust for the mural.
The murals represent the messages left by the killer in the film, images blown through the stencil with blood paint, which borrow little From Banksy and more from Carpe diem room boards.
Sorjonen – murder murders The distributor of the film has hoped that the pre-writings would not describe the initial situation too accurately, but even inaccurately, it is clear that the super-mind of Kari Sorjonen, a criminal investigator at the Central Criminal Police, is beginning to rewind the meaning of blood paintings.
Once again, time is wasted on attracting a reluctant Sorjonen to work – a plot pattern whose outcome is equally impossible to predict every time – for he is incomprehensibly superior in his work.
‘We need a brain today’, a clueless colleague (Johan Storgård) says.
“You don’t get them, they’re not okay,” Sorjonen (Ville Virtanen) corresponds to.
Opposite are “exceptional individuals,” a forensic investigator and a serial killer, both of whom feel they are healing the world in different ways.
Ville Virtanen screams, jerks and vibrates. He gets to pull the role of an otter like Johnny Depp as a pirate captain.
Others act matter-wise as in reading exercises.
The fast-produced film has been made at the request of fans, with the same crowd and style as the TV series production that ran in 2016–2020.
Ville Virtanen adjusts and screams as a master forensic investigator Sorjosen.
The film is full of Sorjos moments. His excellence is accentuated when he utteres a highly cultural quote that others do not know. This time Nietzsche.
The main character of the television series, the break-like Lasse Maasalo (Sampo Sarkola) is transported in a police convoy to get to stare at Sorjos in different places.
Lena Jaakkola, a police officer hardened in Russia (Anu Sinisalo), solves the murder mystery with its own rules, i.e. the maiharit on the leg.
Detective agents tend to push the protagonist’s daughter into some kind of role, often as a hostage, in the Nordic investigation team. The descendant Sorjonen (Olivia Ainali) is qualified for criminal investigation at a university.
The film holds great debates about the nature of evil and the justification for the death penalty. The Mie dialect is still glued to the speech of some of the characters.
Body masqueraders and loose limb craftsmen have been diligently employed to bring the grotesque to the level of a series of blood clusters.
Plot Lappeenranta ‘s municipal policy clashes, which have slowed down the series, have been sensibly pruned.
They took Sorjo towards the typical TV2 small town drama, but they lacked bubbling rubber boot humor.
The power of touch is an essential theme. The characters hint at each other meaningfully. Sorjonen presses his temples with his index finger. Pressing blows flickering images of the evidence on the canvas.
Unintentional ridicule is constantly present.
In Finnish the film has rarely succeeded in attracting viewers with book-based detective film series: Palm Trees, Harjunpää and Vareks.
The books first spread to television and then to the film in the early 2000s detective series Raid, whose shabby has not retained its charm.
Sorjonen has, rarely, no written background.
Creator of the series Miikko Oikkonen, one of the screenwriters of the film, once wanted to make a “stylish nordic noir series.” The style was often kept clean.
All the plot patterns in the series and the film can be found in Swedish Casefrom a series that parodies the worn-out Nordic species. Clichés reach top levels.
As an advertising director with his experience Juuso Syrjän the most famous work seems to be Daruden Sandstormin music video. He knows how to convey the drug of driving with vehicles.
In the ferries action scenes show that EUR 2.4 million has been available for a 107-minute film, one million more than the domestic average.
The final texts state that “the events of the film are fictional”. It is facilitating to understand that the Central Criminal Police does not really allow completely outsiders to interrogate suspects or drag murderers to public lectures.
The problem, of course, is not overcoming everyday realism, but how rigidly, predictably, and stumbling the plot is carried. Despite the momentary swelling, the story does not grow anywhere near the size of the Nordic comparisons.
Janina Sorjonen (Olivia Ainali) is familiar with crime at university.
Sorjonen however, is a launcher.
The film, co-produced by Netflix, will premiere in other countries on the streaming service, so viewership numbers will be high. Already in English Bordertownina the well-known series has been viewed in dozens of different countries.
Fisher King, a production company struggling with money problems, was rescued by German purchases and is now focusing on producing a giant Estonia series.
Both the cleansing of Lappeenranta from the burdensome serial killers and the bright future of Finnish TV production are largely due to the scathing Kari Sorjonen.
From the remarks and mammon brought by the film to Finnish audiovisual productions, one extra star can be given.
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