It tends to associate (which reflex act) to the Sunday of Resurrection of Seville with Curro Romero. It could be a pantomime without interest if it was not because of the success of such dichotomy, the fact that a day as pointed out as the resurrection of the dead Christ, … And taken to eternal life by the will of the Father, it implies all that miracle that represents the importance of the spirit over the flesh. Isn’t art that?
When in his most secret arcana, we see and intuit that sacrifice of man, who through his faith, manages to raise his feeling to forget about the body (as Belmonte gusted), to get carried away by his very holy Holy Spirit. I wrote in his day that I don’t believe in miracles (it would be a lot to say), but in the creators who make us believe in them. Curro’s bullfight has been very blame in that belief of mine, which although it is not miraculous, it is a matter of spiritual trance, to know how Bring the shock to a whole square with just two sets, a medium and a dozen crutches. Some will think (the non -believers) that this housed some suggestion, nonsense and stir; That they continue to think about it, because in bullfighting what prevails is not only what is done, but how it is done, a matter of style and emphasis.
Since then no one has been able to put halfway with only two sets and an average, saying the opposite would be lying. Actually before either! Well, that feat is only seen to make this camero and a gypsy of Jerez. The resurrection of art, of course, has been so mysterious and capricious because it only occurred very much from time to time, when the sun came out and it reached the Guadalquivir, and in Jerez the moon was peeked through the corners of Santiago. Today, one continues to write about that void that left us the bullfighting of Curro Romero, and that is a vacuum that continues to fill the beat and the beat of his dolls when half -height told us those things of the resurrection.
#Jesús #Soto #Paula #medium #height #curro
