Book Review | The fourth novel draws Heikki Känni’s history of Finnish literature – stunning stories about the significance of art emerge

In the novelty, all hope for a better tomorrow depends on the artificial intelligence project. On a thousand pages, staggering stories, artist myths, works of art, and weighted ideas about the meaning of art emerge.

Novel

Heikki Kännö: Twilight. Frog. 1 038 s.

Turku writer Heikki Kännö (b. 1968) has already made a lasting impression on the history of Finnish literature, although Twilight is only his fourth work.

Published in 2017 The bee road-first rose to the list of nominees for several literary awards, and was published a year later Sömnö won the Runeberg Prize. In 2020, Kännö grabbed the Finlandia candidacy Poetwith his novel.

In the twilight the author uses his narrative as a source in particular Richard Wagnerin exhaustive of Scandinavian Germanic mythologies Nibelung ring opera series. Admittedly, in Kymmene’s reading, the story takes on completely new forms and emphases.

The novel also progresses far beyond Wagner’s creation, ending in the twilight of God and the dawn of man. The central plot of Kymmen’s story takes place in the near future, when, according to the name of the work, the era of human twilight is lived.

Man-made Climate change is destroying destruction in every corner of the planet. Waves of animal extinction have accelerated, and wars and riots have led to a global recession.

All hope for a better tomorrow has been relied on for an artificial intelligence project under development, although there are no guarantees that it will succeed.

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In the frame story of the novel, a Chinese artist Ai Weiwei and a pioneer of Serbian performance art Marina Abramović lectured to carefully selected students on the key developments in art history. Through this, questions arise as to how art helps man to construct reality and understand its nature.

About the novel’s lectures the first is located in the trenches during World War II, near the town of Kleve on the lower Rhine. In the midst of mud and rain, there is a philosophical debate that seems to be about a completely different world than its surroundings.

Soldier Oskar Schlüssel ponders the ultimate building blocks of existence and reality René Descartesin and Gottfried Leibnizin based on ideas. His conclusion is that everything we see, use, and have consists of intangible pieces, the metaphysical elements of Leibniz, monads. According to Oscar, this truth could even allow for rebirth.

The following story moves on to the structure of the novel for a central near future.

Located in Kleve On the Goldener Apfel apple farm, in a garden of Hebe teeming with green fur bees, perfect, golden-glowing apples grow. Engelbertha’s grandmother, who spins the space and looks younger than her age, suggests that apples are a mythical Amrita species that once guaranteed immortality to the gods.

On the other hand, she also claims that all women in the family are part of a cycle of ultimate primordial power that reaches all the way to the goddess Freia of youth and fertility.

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Engelbertha’s husband, Baldovino Minkowski, is a sculptural artist interested in ontology and medieval methods. One of his works is a labyrinth of canals dug into the field, attesting to a 17th-century Dutch philosopher Benedict de Spinozandescribed by the nature of God.

However, Baldovino’s most important contribution to the world is his involvement in the development of supercomputers and artificial intelligence. A particle that does not exist in any form known to man has been found with these devices. The discovery is reminiscent of Leibniz’s theory of monads.

Hans Otter, a mysterious old man who arrives at the Goldener Apfel farm after golden apples, also plays a significant role in the book. The man’s life story is flooded with such incredible twists and turns that Engelbertha and Baldovino consider his speeches a mere fairy tale.

The characters in the novel explore the structures of reality by innovatively combining a wide variety of metaphysical theories, philosophical worldviews, and mathematical reflections. On the basis of them, one unified model is formed, which explains the deepest structures of being.

But even this attention is just a small scratch on the surface of a more than a thousand-page novel mammoth full of breathtaking narratives and narratives within narratives. Worlds and worlds within worlds. Not to mention the interplay of circuit play now.

The background of the well-described personalities and their passionate human relationships sheds light on the technological innovations of the near future as well as the distractions of humanity. In between, the rugged scenery of folk tales, sometimes in the midst of the horrors of concentration camps, is swayed.

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Artist myths, works of art, and weighted ideas about the meaning of art emerge. Mythologies become flesh, and science and philosophy engage in their own metaphysical parity.

The timeline of the narrative always reaches from the mythical days of the gods far into the future. People, events, and themes layer, intersect, and spiral together.

Twilight is a mind-bogglingly multi-level and ambitious work that is not afraid to challenge its readers.

The text is full of things, but there is also a detailed description of everyday life. Despite the numerous elements, the whole works, so the text takes the reader like Hamelin’s piper.

The novelty can be considered as the interim financial statements of Kymmene’s current career as a writer. The novel deals with many of the themes that are essentially part of his production.

In addition, there are people familiar from previous novels, such as Beehives central figure, German artist Joseph Beuysas well as PoetGerman philosopher encountered in the novel Friedrich Nietzsche. Wagner’s production, on the other hand, already played an important role in Kymmene Sömnöin the novel.

Despite the connections Twilight works as a completely independent work, and does not require the background support of previous novels to internalize its imaginative visions.

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