Paz Vega has created a film in progress, ‘Rita’, where she serves as a screenwriter and director of serious merit. The plot grows in Seville, in the eighties, zigzagging from tenderness to violence, and vice versa. “It is a tribute to childhood,” Paz told us. Paz, as an actress, has made almost a hundred films. And there is everything there, from the inaugural ‘Lucía y el Sex’, to Grace of Monaco’, which gave Carolina and her siblings a scare, and where Paz shines as María Callas.
Paz Vega always returns, although strictly speaking she has never left. I mean that we have often seen her in other roles, the colorful albums, because she went to Los Angeles, had three children, and even posed, for a while, as a mermaid with good legs at Hollywood parties. When she triumphed here, decades ago, she looked with some suspicion at the showcase of the social chronicle, but there she established herself as the mother of an exotic husband, Orson Salazar, and pin-up of the Guadalquivir, I would risk that not so much to her regret. Paz is a little or a lot like Penelope’s sister, only with less laurel filmography and without Woody Allen on the phone.
Where there is no one who beats Paz is in dressing poorly, very high in museum models, starting with that prodigy of rags, the work of Hannibal Laguna, with which he one day went to receive that unforgettable Goya, for ‘Lucía y el Sex’ . I also remember a glass frame, signed by Cavalli, that Paz reached out to perform at the premiere of ‘The Great Gatsby’ at the Cannes Festival. It was like putting on a shawl to show your thighs. One in Peace sees a bond of beauty and daring, and always manages to catch a ranking photo, in the chronicle of the days after, which is what it is about. In tailoring, she is resoundingly right when she is wrong, and here she once again looks a little like Penelope, who I think hits the nail on the head when someone else chooses her clothes. I have heard Luis San Narciso, the almighty one who has a lynx eye for every casting, now or always, say that ‘Paz, at first, looked like a young Concha Velasco.’ To me, Penelope, as a teenager, when I pointed out her rush, always replied the same thing: ‘I go about everything as if I had to put out a fire.’
Paz, over time, has sharpened the portrait, completing an important directorial debut
I bring these quotes to bring both of them together in the same desire of very willing women, a desire that is nothing but pure, sustained and enthusiastic ambition. Penelope, over time, is on a podium with Oscar and has gotten married. Paz, over time, has sharpened her portrait, completing an important debut as a director, and has all the hairdressing awards in her own hair, which is also sometimes placed in a high crown, like Penelope. Maybe you could take the risk that Paz has the erotic temperature that Penelope sometimes doesn’t have.. During her travels, Paz ended up in Madrid one night, with Antonio Banderas, and Antonio complimented her a lot, because he had just treated her really. They came to a perfume celebration, because Paz, for those fashion things, usually always looks lavish.
He lived in Los Angeles, because he had to be there
She is a sophisticated woman, but a sophisticated woman from Seville, where she now anchors the core of her triumphant film. I mean that something popular always appears in her, even though she lives aboard a hat, and her husband chooses her mascara. He lived in Los Angeles, because he had to be there. Like Penelope, but in a different way. So close, both of them. So far. Go and see ‘Rita’. They won’t have wasted their time.
#Paz #Vega #beauty #daring
