Nouf Al Mousa (Dubai)
“It is my first experience in theatre,” said Samir Al Balushi, director of the play “Akher El Khabar” by author Ahmed Al Majid, affiliated with the Zayed Theater for Talents and Youth, as part of the activities of the Dubai Festival for Youth Theater 13, in the applied symposium that followed the theatrical show, aimed at discussing the details of the show and its impact. The recipient, and young people usually explain through this sentence, have surpassed the prestige of the first live show, but it also carries many implicit signs, most notably that the first directing experience is usually a remarkable discovery station for new actors, as the emerging director will provide the greatest possible opportunity for new faces. Where their presence parallels their desire to build an initial creative experience that opens them up to theatrical spaces, and to search for the possibility of continuity through sustainable cognitive practice. Within the play “Akher Khabar”, one of the young faces, with his remarkable card on the stage to re-ask the question about how to manage the new creators after the first performances, especially since Mansour needed greater recitation for his performance experience. And a deeper understanding of the mechanism of body movement on the stage, and despite that, the young actor was able to enjoy the audience of the show from the moment he entered, and raise the rhythm a little, after the show stuck in place, according to one rhythm, in which the actors were busy performing their roles, and their sense of separation from the recipient, which is something It often happens in the first directing experience shows, because “actor management” requires qualitative and cumulative experience and practice.
consecutive illusions
The story of the theatrical show revolves around an elderly wife, presented by the actress, Enas Ezzat, who hid the death of her husband’s son called “Saif” by making her nephew play the role of the son “Saif”, and thus, according to her belief, she protects her husband from the impact of loss, Especially after the father’s injury, the role was presented by Yaqoub Al-Yasi, with Alzheimer’s disease, as the wife was like someone who plays with memory through time, and despite the dimensions of symbolism that the concept of “Alzheimer” poses, but what is actually surprising in the story is how the fake “Saif” character managed, in a way, to The adoption of worlds around her, such as his relationship with the son of the neighbors, the role was presented by the actor Khamis Al-Yamahi, who was jealous of him and hated him, as a result of the comparisons that were practiced by the parents that Saif is better than him, and the girl who loved him, the role was presented by the actress Amal Hassan, whom the father refused to marry, preferring On her was Saif’s cousin, as well as his close friend. The role was presented by Mansour Al-Matrooshi, who was intending to marry Saif’s cousin, and from him we can imagine how all this happens, and with different time paradoxes, while the real Saif is deceased, meaning that the tales were woven itself of successive illusions, but the essential question: What is the essence of the truth in the story, are the characters real? She crowned Seif to announce her survival, or does Seif need her to remain in the memory?!
interpretability
“Forgetting” does not cancel the event, but rather puts it in different memory arrangements. It is like small shocks that hide themselves between the thresholds of new situations, waiting for a specific time synchronization, to reconnect again to awaken the root of the first event, and thus as someone who refreshes the memory and rearranges the events in it. What happens in “Alzheimer’s” is that a defect occurs in this state of communication, between what happened (past) and what is happening (now), and therefore the loss of the linking process causes partial damage to the ability to bypass, and move to a new linking process for what will happen (future). Actually, it is not possible to be certain whether the writer Ahmed Al-Majed sought to solve this difficult dilemma in the human experience, which required a lot of intellectual and visual treatment by director Samir Al-Balushi, but the idea of the text remains its aesthetic in that it is subject to interpretation, research and reflection.
#News #Alzheimers #attempt #overcome #affliction #human #loss