50 years old | Screenwriter Miira Karhula is known from Dr. Raimo and the breakwater series – “At some point I thought I was crazy when I was trying to do drama in Finland”

The career as a screenwriter began with Secret Living.

Domestic The last chapter of the political satire so far was written in 2018, when Radio Finland Dr. Raimo – Kingdom Therapist series was terminated. Miira Karhula created a popular series and scripted it for his spouse Risto Karhulan with since 2013.

Karhula was also writing the script, which caused heartburn in politicians The rulers themselves animation series (2001-2008).

Where has the political satire disappeared from Finland?

“It’s a good question. I think that’s what Broadcasting should do, and I hope Yle will still be able to do it. If doing humor for the whole family, like In the waterfallit’s easy to joke with outsiders, ”Karhula ponders.

Like having it painted orange Donald Trump speaks funny.

“Satire must join the world of values. Dr. Raimo we decided it could be pretty diabolical, but it wouldn’t go to anyone’s appearance. ”

Doctor Raimon the pace was wild. Episodes were done in 34 years and special episodes on. Karhula also directed. And at the same time wrote a couple of TV series, like Breakwater.

“When we thought the pace could slow down a bit, we were told that in fact the series was coming to an end. It was reportedly too expensive. There has been no clear forum for such a series since then. ”

Karhula says that thinking about satirical angles into day-to-day politics became an automation that easily snaps on.

“Risto and I are still throwing ideas at each other. Lipstick is also a way for us to get rid of the anxiety caused by the news. ”

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Martti Suosalon alongside Dr. Raimo acted Jukka Puotila, Erja Manto, Jarkko Tamminen and Miira Karhula’s sister Nora Rinne.

The division of labor between the sisters was similar to that of childhood: Miira was in the reins, Nora starred.

“As a child, we made magazines and movies together, such as parodies From Dallas and Favorites. ”

Communication theory Karhula, who studied in Tampere, worked all the time at Helsingin Sanomat. Interest in politics sparked as a parliamentary journalist in the mid-1990s.

“The Parliament House was a terribly interesting place to see a lot of old-fashioned attitudes,” says Karhula.

“There was a really strong atmosphere of school bullying, the kind of one who gets to sit at the table of tough guys in the cup. On the other hand, there was an understanding in the work that most people working in Parliament try to promote things. ”

Indeed, it is naive for Karhula to see politicians shouting at each other in dramas like in a courtroom. “The public side of politics is theater.”

In 1997, Karhula went on an exchange to the University of Texas for a year and got excited to study screenwriting. When he returned home, he picked up the phone and called To Markus Selin.

“I got a job at Solar Films. Solar grew fast, and I got to do everything, including being a production manager Restless. ”

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Screenwriting however, burned. Karhula heard that the oven-fresh daily series Secret lives (1999–) searched for screenwriters.

“They had a story test where they had to keep going right Salkerare plot patterns forward. I did it sharply and with a little tongue on the cheek of the old Dallasbased on my knowledge and got a place. Then Secret lives veti Johanna Sinisalo, which soon won the Finlandia Award. I took his place to lead the writing team. ”

“Finnish TV drama is no longer as terribly grim and slow as it used to be,” says Miira Karhula. “Young players are coming into the industry who are free from the old burdens.”

Karhula says she especially enjoys background work. When he lived in Kellokoski, he was fascinated by state of mind research. He developed for a long time The color of evil series (2021) about forensic psychiatrists conducting mental health examinations.

“I’m terribly proud of the series myself, I did a lot of background research on it. We didn’t invent anything, everything is based on what is known about these cases. ”

There have been moments of unbelief.

“At one point, I thought I was crazy trying to do drama in Finland. It is annoying that the gaming industry is being talked about with a fan attitude and an export product, but the TV and film industry is less perceived as an industry that creates jobs. ”

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Area has made tremendous progress from Karhula in ten years.

“Finnish TV drama is no longer as terribly grim and slow as it used to be. The basic rule of drama is “show, don’t explain,” but the traditional Finnish drama explains the matter in advance, then at the same time as it happens, and a third time afterwards. “

Karhula has a rare multi-spectral perspective on the industry. He currently works for the television production company Warner Bros. In Finland as a drama developer and editor-in-chief.

He also teaches screenwriting.

“Young players are coming into the industry who are free from the old burdens.”

Miira Karhula

  • Born in 1972 in Helsinki.

  • Master of Social Sciences, University of Tampere 1999.

  • Studied screenwriting at the Film School of Texas University from 1997 to 1998.

  • Scriptwriting for TV series, among other things Secret lives (2000-2002), Hand nest (2004), Bold diplomat (2006), The rulers themselves (2006-2007), With nails and teeth (2016), Breakwater (2017–) and The color of evil (2021) and radio satire Dr. Raimo (2013–2018).

  • Editor in Helsingin Sanomat 1993–1998, Production Manager and Assistant Director at Solar Films 1998–2000, Drama Department at Yellow Films 2006–2007, Drama Department Development at Fremantle Media Finland 2010–2012 and Drama Developer and Editor-in-Chief Warner Bros. ITP in Finland since 2018.

  • Turns 50 on Friday, February 25th.

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